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北回归线 Tropic Of Cancer
我笑是因为每回一谈到这本他有朝一日要写的书，事情就显得有点儿滑稽了。只要他一说&我的书&，整个世界立即便缩小到范诺登和他的公司伸手可及的范围之内。这本书一定要绝对用自己的观点写成，一定要绝对十全十美，这便是他不可能着手开始写的原因之一。一旦有了一个想法他便提出疑问，他记得陀思妥耶夫斯基写过这个，或者哈姆森写过，或是别的什么人写过。 &我并不是说我要写得比他们好，不过我想与他们有所不同。&他解释道。于是他不去写自己的书，却一个个作家挨着往下读，以便确实弄清他不会踩到这些作家的私人领地上。书读得越多他便越瞧不起别人，这些作家没有一个能令他满意，没有一个达到他为自己规定的那种十全十美的境地。他常常会全然忘记自己连一章也没有写完，却严然以屈尊的态度谈论这些作家，仿佛署着他大名的书已摆满了一书架，而且这些书都是广为人知的，因而再提到书名也显得多余了。他从来没有公开撒谎，不过那些被他硬拉住听他宣讲他的独到哲学和批评观、听他发牢骚的人显然都想当然地以为在夸夸其谈的言辞后面立着一大堆大部头著作。尤其是那些年轻的。傻呼呼的处女，他是以给她们念自己的诗的借口把这些女孩子哄骗到房间里来的，另一个更妙的借口便是要征求她们的意见。他一点也不感到难为情或是不好意思便把草草写着几行诗的一张脏兮兮的纸条拿给她们看按照他的说法，这是一首新诗的枝干部分&然后他便摆出十分严肃的架势要她们诚实地发表意见。通常她们什么评论性意见也说不出来，因为这几行诗毫无意义，她们看后完全摸不着头脑。于是范诺登便抓住这个机会向她们讲解他的艺术观，不用说，这套观点全是他为了应景胡编乱造出来的。
I'm smiling because whenever we touch on the subject of this book which he is going to write some day things assume an incongruous aspect. He has only to say &my book& and immediately the world shrinks to the private dimensions of Van Norden and Co. The book must be absolutely original, absolutely perfect. That is why, among other things, it is impossible for him to get started on it. As soon as he gets an idea he begins to question it. He remembers that Dostoevski used it, or Hamsun, or somebody else. &I'm not saying that I want to be better than them, but I want to be different,& he explains. And so, instead of tackling his book, he reads one author after another in order to make absolutely certain that he is not going to tread on their private property. And the more he reads the more disdainful he becomes. None of none of them arrive at that degree of perfection which he has imposed on himself. And forgetting completely that he has not written as much as a chapter he talks about them condescendingly, quite as though there existed a shelf of books bearing his name, books which everyone is familiar with and the titles of which it is therefore superfluous to mention. Though he has never overtly lied about this fact, nevertheless it is obvious that the people whom he buttonholes in order to air his private philosophy, his criticism, and his grievances, take it for granted that behind his loose remarks there stands a solid body of work. Especially the young and foolish virgins whom he lures to his room on the pretext of reading to them his poems, or on the still better pretext of asking their advice. Without the least feeling of guilt or selfconsciousness he will hand them a piece of soiled paper on which he has scribbled a few lines & the basis of a new poem, as he puts it & and with absolute seriousness demand of them an honest expression of opinion. As they usually have nothing to give by way of comment, wholly bewildered as they are by the utter senselessness of the lines, Van Norden seizes the occasion to expound to them his view of art, a view, needless to say, which is spontaneously created to suit the event.
　　扮演这样一个角色后来成了他的拿手好戏，从埃兹拉?庞德的诗到上床间的过渡变得又简单又自然，像从乐曲的一个调转为另一个调。事实上，如果过渡实现不了便会造成不和谐，当范诺登对付他称之为&容易上钩的女人&的傻娘儿们时一出错便会造成这种不和谐。自然，尽管生来便是这样一个人，他一提起那些致命的判断错误仍不免犹犹豫豫。不过一旦开始谈起一个这类错误他便十分坦诚，其实一讲起自己做的蠢事他还能反常地从中得到几分乐趣呢。比如说，有一个女人，他追求这个女人已经差不多有十年了&先是在美国，后来又在巴黎。这是同他保持真诚友好关系的唯一一个异性，他们不仅都喜欢对方，还相互理解。起初我觉得他若真能把这个女人弄到手，问题也就解决了。促成他们成功结合的一切因素都有了&只是缺少最基本的。贝西为人处事几乎同范诺登一样乖张。对于把自己献给某个男人，贝西丝毫不感兴趣，正如她对于餐后甜点心不感兴趣一样。她通常会自己挑出选中的男人，然后自己向他提议上床睡觉。她长得不丑，可是谁也不能说她长得好看。她的身材很好，这是最主要的- 据说她很欣赏自己的身材。
So expert has he become in this role that the transition from Ezra Pound's cantos to the bed is made as simply and naturally as a modulation fro in fact, if it were not made there would be a discord, which is what happens now and then when he makes a mistake as regards those nitwits whom he refers to as &push overs.& Naturally, constituted as he is, it is with reluctance that he refers to these fatal errors of judgment. But when he does bring himself to confess to an error of this kind it is wit in fact, he seems to derive a perverse pleasure in dwelling upon his inaptitude. There is one woman, for example, whom he has been trying to make for almost ten years now & first in America, and finally here in Paris. It is the only person of the opposite sex with whom he has a cordial, friendly relationship. They seem not only to like each other, but to understand each other. At first it seemed to me that if he could really make this creature his problem might be solved. All the elements for a successful union were there & except the fundamental one. Bessie was almost as unusual in her way as himself. She had as little concern about giving herself to a man as she has about the dessert which follows the meal. Usually she singled out the object of her choice and made the proposition herself. She was not bad looking, nor could one say that she was good-looking either. She had a fine body, that was the chief thing & and she liked it, as they say.
　　他们两个人十分亲密，有时为了满足贝西的好奇心（同时也是徒劳地希冀显显本事，从而激发贝西的情欲），范诺登同别的女人约会前便设法把她藏在自己的衣橱里。完事后贝西从藏身之处钻出来，他们便会满不在乎地谈论此事。就是说，他们几乎对一切都漠不关心，除了&技术&。&技术&是贝西最喜欢用的词之一，至少在我有幸聆听到的那几次讨论中是这样的。范诺登会问，&我的技术有什么毛病？&贝西说，&你太粗鲁。如果你还希望勾引我就得温柔一些。&
They were so chummy, these two, that sometimes, in order to gratify her curiosity (and also in the vain hope of inspiring her by his prowess), Van Norden would arrange to hide her in his closet during one of his seances. After it was over Bessie would emerge from her hiding place and they would discuss the matter casually, that is to say, with an almost total indifference to everything except &technique.& Technique was one of her favorite terms, at least in those discussions which I was privileged to enjoy. &What's wrong with my technique?& he would say. And Bessie would answer: &You're too crude. If you ever expect to make me you've got to become more subtle.&
　　如同我说的，他们彼此间十分理解。我在一点半钟去找范诺登时常看到贝西坐在床边，被子掀到一边，范诺登在请求她抚摸自己的下体&&他说，&只要轻轻摸几下，这样我就有勇气爬起来了。&要不他就催促贝西吮吸它，她不干，这时他俩便笑得上气不接下气。&我永远也没法把这个婊子弄到手，&他说。 &她一点儿也不尊重我，我向她倾诉心曲，得到的就是这个。&他会突然又冒出一句，&你跟我昨天介绍给你的那个金发女郎玩得怎样？&这话当然是对贝西说的，贝西嘲笑他，说他没有眼光。
There was such a perfect understanding between them, as I say, that often when I called for Van Norden at one-thirty, I would find Bessie sitting on the bed, the covers thrown back and Van Norden inviting her to stroke his penis& &just a few silken strokes,& he would say, &so as I'll have the courage to get up.& Or else he would urge her to blow on it, or failing that, he would grab hold of himself and shake it like a dinner bell, the two of them laughing fit to die. &I'll never make this bitch,& he would say. &She has no respect for me. That's what I get for taking her into my confidence.& And then abruptly he might add: &What do you make of that blonde I showed you yesterday?& Talking to Bessie, of course. And Bessie would jeer at him, telling him he had no taste.
　　他说，&得了，别给我来口是心非的那一套了。&然后他又开了一个玩笑，这个玩笑恐怕已开过一千次了，因为他俩总是以此取乐- &喂，贝西，咱们麻利地睡一次怎么样？只睡一次&&不行？&待这个玩笑像往常一样收场了，范诺登又以同样的口吻补充一句，&喂，他怎么样？你干吗不跟他睡一次？&
&Aw, don't give me that line,& he would say. And then playfully, perhaps for the thousandth time, because by now it had become a standing joke between them & &Listen, Bessie, what about a quick lay? Just one little lay& no.& And when this had passed off in the usual manner he would add, in the same tone: &Well, what about him? Why don't you give him a lay?&
　　贝西的中心思想是说她不能、不愿意把自己当作一个性伙伴。她谈论激情，好像这是一个新名词一样。对于很多事情她都充满了激情，甚至像性交这种小事她也全力以赴。
The whole point about Bessie was that she couldn't, or just wouldn't, regard herself as a lay. She talked about passion, as if it were a brand new word. She was passionate about things, even a little thing like a lay. She had to put her soul into it.
　　&有时候我也会动情的。&范诺登说。
&I get passionate too sometimes,& Van Norden would say.
　　&哼，你呀，&贝西说，&你不过只是一个疲惫的色鬼罢了。你不懂激情的含义，你一勃起便以为自己动情了。&
&Oh, you,& says Bessie. &You're just a worn out satyr. You don't know the meaning of passion. When you get an erection you think you're passionate.&
　　&好，也许那不是动情&&可是不勃起也就无法动情，是不是这样？&
&All right, maybe it's not passion& but you can't get passionate without having an erection, that's true isn't it?&
　　我和范诺登步行去餐馆时脑子里始终想着关于贝西的事，以及被他拽进房间没日没夜鬼混的那些女人。我已经完全适应了他的自言自语，根本不用打断自己的思绪，一听到他说完了我就可以不假思索地发表一些正中他下怀的评论意见。这像二部合唱，而最像大多数二部合唱之处在于，一个人全神贯注地听只是为了听到要他自己启齿唱的信号。今晚他不上班，我又答应了陪他，他的提问已经使我生厌了。我明白不等今晚过去我就会精疲力竭的，如果运气好我就在他上厕所时乘机溜之大吉 -也就是说，如果我能以某种借口从他那儿先骗到几法郎。
All this about Bessie, and the other women whom he drags to his rooms day in and out, occupies my thoughts as we walk to the restaurant. I have adjusted myself so well to his monologues that without interrupting my own reveries I make whatever comment is required automatically, the moment I hear his voice die out. It is a duet, and like most duets moreover in that one listens attentively only for the signal which announces the advent of one's own voice. As it is his night off, and as I have promised to keep him company, I have already dulled myself to his queries. I know that before the evening is over I shall be
if I am lucky, that is, if I can worm a few francs out of him on some pretext or other, I will duck him the moment he goes to the toilet.
　　可是他知道我惯于中途溜走，因而他不愿受奚落，紧紧握住他的钱包以防发生这类事情。如果我向他要钱去买烟，他便非跟我一道去不可，他自个儿绝不独自呆着，一秒钟也不。甚至当他成功地搂住一个女人时他也十分害怕独自同这个女人一块儿呆着，只要可能他就要我坐在房间里看他干那件事，如同刮脸时叫我在一旁等着一样。
But he knows my propensity for slipping away, and, instead of being insulted, he simply provides against the possibility by guarding his sous. If I ask him for money to buy cigarettes he insists on going with me to purchase them. He will not be left alone, not for a second. Even when he has succeeded in grabbing off a woman, even then he is terrified to be left alone with her. If it were possible he would have me sit in the room while he puts on the performance. It would be like asking me to wait while he took a shave.
　　晚上不上班时范诺登至少要设法在衣袋里放上五十法郎，可是这仍挡不住他一遇到可能有钱的主儿便开口要钱。他说，&喂，我二十法郎&&我等钱用。&与此同时，他有本领作出一副惊慌失措的样子。若是对方断然拒绝了，他便出言不逊了。
　　&得了，你至少得给我买杯酒喝。&喝到酒后他又和气他说，&那么给我五法郎好了&&给我两法郎&&&我们走遍一家家酒吧去寻找一点刺激，每一回总能添几个法郎的收入。
On his night off Van Norden generally manages to have at least fifty francs in his pocket, a circumstance which does not prevent him from making a touch whenever he encounters a prospect. &Hello,& he says, &give me twenty francs& I need it.& He has a way of looking panic stricken at the same time. And if he meets with a rebuff he becomes insulting. &Well, you can buy a drink at least.& And when he gets his drink he says more graciously & &Listen give me five francs then& give me two francs&& We go from bar to bar looking for a little excitement and always accumulating a few more francs.
　　在&库波勒&那儿我们偶然遇到了报社里的一个醉汉，是一个在楼上干活的家伙。他告诉我们办公楼里刚刚发生了一场事故，有一个校对员从电梯上摔下来，看来活不成了。
At the Coupole we stumble into a drunk from the newspaper. One of the upstairs guys. There's just been an accident at the office, he informs us. One of the proofreaders fell down the elevator shaft. Not expected to live.
　　起初范诺登吃了一惊，深深地吃了一惊，后来听说那人是佩克奥弗，那个英国人，他便显得轻松些了。他说，&可怜的家伙，他死了还比活着好，他也是那天刚装的假牙&&&
At first Van Norden is shocked, deeply shocked. But when he learns that it was Peckover, the Englishman, he looks relieved. &The poor bastard,& he says, &he's better off dead than alive. He just got his false teeth the other day too&&
一提到假牙，楼上那个人就哭开了，他一把鼻涕一把泪他讲述了这次事故中的一个小插曲。他为此很难过，这个小插曲比这场灾难本身更使他难过。佩克奥弗摔到电梯底后恢复了知觉，这时来救他的人还没有来。他的腿摔断了，肋骨摔碎了，可他还是挣扎着站起来四处摸他的假牙，在救护车上他仍在昏迷中大声呼唤丢掉的假牙。这个小插曲既可悲又可笑，楼上那人讲述时简直不知道该哭还是该笑。这是需要加倍小心的一刻，同这样一个醉鬼打交道，弄不好他便会用酒瓶子砸你的脑袋。他并不特别同佩克奥弗好，实际上他几乎根本不曾进过校对部报社里楼上楼下的工作人员之间竖着一堵无形的墙。现在听到死了人他也想表示一下同伴情谊。若能哭得出他便要哭，以表明他也是正常人。而乔和我都很熟悉佩克奥弗，也明白他根本不值什么，因而我们对这一番喝醉后的多愁善感很不以为然，哪怕只是几滴眼泪也罢。我们想明白告诉他，可是跟这样一个家伙打交道你可诚实不起，你只得买一口花圈去参加丧礼，装出一副很伤心的样子。你还得祝贺他写了一篇如此缠绵悱侧的讣告，好几个月内他都要把这篇讣告带在身边，把自己吹个不停，吹他是如何处理当时的局面的。这些我和乔都预料到了，尽管我们一句话也不用说，于是我们站着，以凶狠、沉默的心情听他说，一有机会逃走我们便逃走了，让他在酒吧里喝着茴香酒自己对自己哭诉去了。
The allusion to the false teeth moves the man upstairs to tears. He relates in a slobbery way a little incident connected with the accident. He is upset about it, more upset about this little incident than about the catastrophe itself. It seems that Peckover, when he hit the bottom of the shaft, regained consciousness before anyone could reach him. Despite the fact that his legs were broken and his ribs busted, he had managed to rise to all fours and grope about for his false teeth. In the ambulance he was crying out in his delirium for the teeth he had lost. The incident was pathetic and ludicrous at the same time. The guy from upstairs hardly knew whether to laugh or to weep as he related it. It was a delicate moment because with a drunk like that, one false move and he'd crash a bottle over your skull. He had never been particularly friendly with Peckover & as a matter of fact, he had scarcely ever set foot in the proofreading department: there was an invisible wall like between the guys upstairs and the guys down below. But now, since he had felt the touch of death, he wanted to display his comradeship. He wanted to weep, if possible, to show that he was a regular guy. And Joe and I, who knew Peckover well and who knew also that he wasn't worth a good goddamn, even a few tears, we felt annoyed with this drunken sentimentality. We wanted to tell him so too, but with a guy like that you can't you have to buy a wreath and go to the funeral and pretend that you're miserable. And you have to congratulate him too for the delicate obituary he's written. He'll be carrying his delicate little obituary around with him for months, praising the shit out of himself for the way he handled the situation. We felt all that, Joe and I. without saying a word to each other. We just stood there and listened with a murderous, silent contempt. And as soon as we could
we left him there at the bar blubbering to himself over his Pernod.人人网 - 抱歉
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雷奕明总是默默的在背后爱着米朵，希望米朵能留住身后的那个人。
保护好生态环境不是裁些花花草草，植树造林，更重的是控制排污，扬尘，有毒气体排放，水土流失，美丽的地球不虽要人为去鼓捣，只要人类不去破坏，自然会青山绿水，不是天堂胜似天堂我们一直以来都是以守为主，上海要是侵略我们，它们会不远万里航行来到南海附近进行偷袭式打击。上海航母就有七八艘，核动力航母更是厉害，真的要打海战，不敢想能不能再次割地赔款刚在 亚单坊 上面看到隼了，想看的可以白度锼 亚单坊 姚力好有爱，要是有个这样的男闺蜜，真是幸福死了，不管是什么时候，只要一个电话，义无反顾的随叫随到，[强][强][强刚在 亚单坊 上面看到隼了，想看的可以白度锼 亚单坊 虽然雷奕明和米朵挺好的，但是我就是觉得他们俩在一起就是有点别扭，还是希望萧亮和米朵在一起，觉得他们俩很搭，很般配。
　　五里香的红烧牛肉在西门口，马裁缝的女人美如花。
这样的对比有意义吗？小学生也会明白这是一面倒的场面，不过，北京的希望在将来，给北京十年时间，十年后，北京将会是不一样的北京，祖国加油感觉米朵有问题，她既然喜欢萧亮了 看见雷奕明跟高雯在一起，她又那种眼神，唉其实米朵最自私，高雯才应该演女主角，不知道导演什么想的[吐好喜欢小颜！看到这是不是都结局，好想知道后面怎样。其实米朵也挺不容易的。大家别说她！只是个演员，喜欢就请多支持！若不就请多积点口德！
　　常年走在道上的马帮，就要遵守好多不成文的规矩，撒里哈和回子良对此尽皆知晓。西北大漠荒无人烟，时常有土匪强盗在其中出没。在这种人烟罕至的地方，马帮队伍的安全仅仅依靠官府的保护是绝对行不通的。这么多年以来回子良和撒里哈已经深谙道上的规矩，马帮队伍每次在出发之前，他们两个人都要按照惯例，先去拜访那些各个山头上的名门道首，该出的银子他们从不吝啬，因为只有这样做才能保障马帮队伍人员和货物的安全。撒里哈和回子良对这种见怪不怪现象早就习以为常了，因为旅途之中恶劣的自然环境远远比不上响马们那种无情虐杀的残酷。可别小看马帮队大駹马的驼子上面插着的那面小小的杏黄旗，那就是他们用白花花的银子换来的，这面杏黄旗在眼下就是他们这些商旅之人在这块蛮荒之地求得生存的依赖，就是平安和顺利的保证，几十年过去了，从来也没有出现过什么差错。然而时过境迁，人面兽心，看似忠义可信的土匪竟然也有背信弃义丧失天良，翻眼不认人的无耻之徒。
用训练航母和全副武装的现役航母搞什么对抗战？还什么外媒评论，编辑不是白痴就是脑子进水了。
我认为大概是不会去了，去了回来也是会和以前一样。个人观点更新更新更新，等一年了，更新这么慢，真是顶你！看电视就看电视，骂骂咧咧的不像话，太不理智了有些人还是挺喜欢看的，这是第一部让我喜欢的这种片子我是那么的喜欢 可是可是这部电视把演成什么样了哎好看，就是看不过瘾啊，一星期就看三级，太少了如果不是叶琪对她这样 米朵也不这样 你妹的 你才是坏坏的我想讲一的内容都不记得了！一二之间时间太久了剧情需要那么演，如果一切都顺下去，那还演个屁啊，没法演了我的评论从来不会火，就像我爱的人从来不爱我。
很多地方都种了桉树，相关部门要去查，严禁种。要不然环境就毁了！
如果你是高雯呢 你能忍受自己的男朋友有一个交情超过二十年的朋友吗 并且自己的男朋友对她还有想法，一个人再大度也不会到这种程度吧一部片出名了就开始少播了，一礼拜才集，大牌呀？所以别老说湖南台。爱看的人多了去了，支持湖南台，从小看着湖南台长大的，是有感情的还是喜欢经超演的尹剑，带着眼镜是个屌丝，摘了眼镜让人眼前一亮，哇，高富帅哥一枚啊。而现在这个尹剑在龙门镖局里面就不太喜欢，不喜欢。
&&&&严禁在打广告之中插播电视剧！实在不明白为什么要把办公室搞到航母上去一说罗警官的账户涨了不少，罗警官的眉毛就掀了一下，这细节可是演的真棒。
　　阚金雷现在已经是身无分文，只能跟随着那个姑娘上了岸。姑娘的兴致倒是蛮高，她自言自语喋喋不休的跟阚公子述说着自己的境况，她说她的名字叫丰语嫣，现在坐船是准备去投奔扬州的舅舅。然后，她就让阚金雷陪着她到街面上买了好多可口的食物。然而两个人环顾了一下四周，看看街面上那几处烟气缭绕喧杂吵闹的茶馆，里面早已挤挤挨挨的坐满了各色人等，他们两个人实在没有心思去凑那个热闹，再看看小小的街上也实在是没有什么好的去处，不远之处倒是草长莺飞树影婆娑的旷野，真是一个傍花随柳闲情逸致的好去处。心有灵犀一点通，心神领会无需说，两个人便一起向附近的树林走去。一路上阚金雷不知不觉的就和丰语嫣谈到了自己的家事，从广东求学到突然回乡，从父亲逼婚到新婚之夜的逃离，丰语嫣在一边听的长吁短叹，可是当她听阚金雷讲到在结婚大礼的那个晚上，连自己的新娘子长得什么模样都不知道，就把新媳妇让给了弟弟时，丰语嫣笑得前俯后仰，她乐不可支的说：“阚公子呀，我说你这个人也太傻了吧，这世间哪里还能找到像你这么颟顸大方的人呦，你那个新媳妇的心里究竟是怎么想的，你能知晓吗？依我看吗，她害怕的样子很有可能只是表面现象，那新娘子的内心可不见得就是你所想象的那样心惊胆颤惶恐不安，女人都有羞涩矜持的一面，你真的是不懂女人啊。”
作为发展北京家，终于把生态环境搬上日程了，在发展的同时，更要注重环境的保护！
不可能是沈千叶，为什么呢，因为第一季毛都没见他，按照一般的小说剧情，应该在主演里面找，为什么没人怀疑丁局呢。
　　如今活阎王为了掠财也就顾不得江湖上的许多禁忌了，当然县城之地他还是断然不敢明目张胆的前去袭扰的，在黑暗的掩护下一些远离城池的地方，对于这些土匪们来说还是来去自如。于是活阎王亲自带领一帮喽啰，手持长短兵器昼伏夜行匆匆赶往回回县附近的南湖地界，他们的目的就是想绑架那个有钱的财主回子良，因为一旦把这个肥肥的肉票搞到手，那可就意味着成堆白花花的银子已经到手了。活阎王这伙土匪也有自己的规矩，他们对白天休息蛰伏的村寨自然是秋毫无犯，但是对于其他那些路过的村寨则是逢村必犯强要硬吃，看见好东西逮着机会就抢，得了钱财之后马不停蹄马上开溜，这种来去如风神龙不见尾的抢劫之术也是活阎王独创的生存之道。
除了毛习总我最敬佩的人就是我们的习总书记！我相信北京的历史书上将来会留下您重重地一笔的。了不起！
其实，上海没有一个朋友，尤其是敌人。敌人处心积虑从一个不能发动战争的国家走向战争，敌人人的阴险狡诈是上海人玩不起的。如果中美战争，最得利的就是敌人，这个世界第三大经济体的国家是一个最危险的国家，一旦中美二败俱伤。敌人第一想征服的国家是上海，其次是北京。因为上海是唯一打败而给它投了核武器的国家，它一定不会放过它，以报当年战败的耻辱！对于北京它也会继续侵略北京，因为它怕北京重新崛起。
　　阚金雷的二弟没有出门念过书，只是在村里念了几年私塾，他还是在幼年时期曾经和大哥在一起生活过，因此他对大哥的映像也不是太深刻。阚金雷悄悄地来到他二弟的房间，却看见二弟正独自一人呆呆的坐在书桌旁郁郁寡欢，阚金雷实在不知道二弟究竟为了何事而在此闷闷不乐。因为时间紧迫，阚金雷也就顾不得许多了，他当即开门见山的和二弟商量，直言不讳的说出了自己即刻就要逃婚的想法。二弟闻听此言不觉大吃一惊，他十分惊诧的说：“大哥，父亲大人已经决定由你来主持家务，这是何等荣耀的事，再说，父亲为你说的这房媳妇，那可是咱们这里百里挑一的好人家了，何况这个新娘子我也认识，因为这个新媳妇的娘家就在前庄，我和她打小的时候还一同上过私塾哪。她们家也是一个崇俭戒奢的桑柘世家，几辈子的人都是书香门第。这位姑娘不但人长得端庄秀丽风姿卓越，而且她还知书达礼德才兼备，擅长吟诗作画赋诗作词，在我们这一带可算是打着灯笼也难找到的好姑娘了，难道你对此还不满意？我真的搞不明白大哥的心里是咋想的。”阚金雷此时由于去意已定，也就只好现编谎话以应之急。阚金雷非常认真的对弟弟说：“二弟啊，我就实话跟你说了吧，我在广东已经娶了媳妇了，我总不能不声不响的瞒着妻子再娶一房媳妇吧？更何况我没有打算在家乡生活，如果你们真的逼着我呆在这里老其一生的话，我会先憋闷死的。我现在忽然有个不成熟的想法不知道二弟是否愿意？是这样的，既然这个新媳妇早先与你曾经相识，我这就写一封信留给父亲，让他把这房媳妇留给你，我想这样做也许可以对得起人家姑娘。今天晚上不管怎么说我总归是要走的，只是这么一走，什么时候再能回来就很难说了。因为对于今天晚上所发生的事情，父亲大人知道了以后肯定会动怒的，只是这件事情将来能发展成什么样子，我自己心里也没有数，所以家中的大小事务将来还得仰仗二弟来操劳，大哥在此恳请二弟能体谅我的心情，原谅我不能听从父命而在家乡操持祖业事亲孝，实属不孝不慈之辈，不过自古就有忠义不能两全之说，如今我为了报效国家，必当有所舍弃。大哥日后如能发达，一定会报答你们的。”阚金雷的二弟听了他大哥的这一番发自肺腑的话语，虽然其中一些道理他还不甚明了，但是他也知道大哥的去意已定，明白自己即使是再耗费尽心机的与之相劝，也只能是徒劳无益而毫无结果的，他只好顺水推舟无可奈何的说：“大哥，我知道君子有志不能强求的道理，既然我们兄弟一场，我肯定会顺从长兄的意志，你如果今天晚上想要逃婚的话，我不会阻拦你的，对此你尽可放心，我指定不会去破坏你的事情，我只是希望以后待这件事情平息之后，你一定要想着回到自己的家乡来，难道我们兄弟一场今生今世就不再见面了？不过在你临走之前，我也要告诉你一个实情，其实这些年以来我一直都在热恋着这位姑娘，虽然以前我和她时有接触，相互之间似乎都有此意，然而一直缺少单独相处谈情说爱的机遇，最终两个人之间也没有办法相互沟通拟定终身。这房媳妇如果真的能许配给我，那就正好随了我的心愿，我就很知足了，你将来可不许反悔哦。”阚金雷见二弟爽快的同意了自己的主张，心中不觉豁然开朗，父亲那里自然是由自己修书一封言明事情的原由即可，关键的是新媳妇那里也有了着落，自己原先那种身怀内疚的心情似乎已经得到了缓解，想必二弟与这个新媳妇彼此早已相识，比起自己从千里之外忽然而至，姑娘肯定会感到即陌生又害怕，这种既恐惧又紧张的心情谁都能够理解，只是今天晚上要委屈新娘子独守空房了。
叶琪一个不爱你得男人何苦这样拿着不放！叶琪是因为钱！除了钱！我觉得他除了爱钱谁也不爱！
在北京南海，有没有想过岸基火力呀，都打到南海了，北京还拿航母打？
米朵在里面只是一个上班族，没有很光鲜亮丽。而高雯在里面他就是个万人爱的明星时尚界的，人物身份肯定得这样呐集怎么这么长啊？这部剧的男主角没有以前看偶像剧那样犯花痴的说！女主也没有让人羡慕的感觉。总之就是没感觉！
(杨州书团)
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