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《食肉者（Flesh Eaters)》是由16bit Nights制作Back To Basics Gaming发行的一款非常不错的动作类冒险游戏，游戏中玩家能体验到经典动作游戏的独有乐趣！游戏的画面相当绚丽，具有浓浓的复古风格，在这个拥有众多僵尸的世界中如何生存下来呢？玩家需要收集资源进行制作物品，升级武器和盔甲等等，玩法简单，喜欢这款游戏的玩家就别错过哟！游戏特点：装备升级不同的武器和盔甲，收集更多的幸存者。升级你的幸存者水平聚集资源，构筑街垒保卫你的幸存者与部落。对抗不同类型的僵尸3类不同幸存者的选择，每个幸存者都有3个独特的技能。配置要求:最低OS: Windows XP/Windows Vista/Windows 7/8Processor: 1.6 GHzGraphics: DirectX 9.0 CompatibleStorage: 20 MB available spaceSound Card: DirectX 9.0 Compatible Sound安装信息:1. 解2. 安装游戏3. 运行游戏
食肉者Flesh Eaters 免安装硬盘版
下载帮助西西破解版软件均来自互联网, 如有侵犯您的版权, 请与我们联系。THE FLESH EATERS
THE FLESH EATERS
Flesheaters circa 1983,
courtesy of
Heavy Punk Thunder from the Lake of Burning
by Jay Hinman(January 2001)
The Flesh Eaters were a rock beast every bit
as ferocious as their name, a bolt of heavy metal thunder and subterranean
howl in place with one of the finest American rock-n-roll meccas of our
time -- Los Angeles in the early 1980?s. Arising from a punk rock party
scene that exploded in the wasted midst of Hollywood tinsel and trash,
The Flesh Eaters first mutated into a punk-fueled "roots rock voodoo blues"
group (marked by the masterful
A Minute to Pray, A Second To Die
LP and a classic line-up of LA scene heavies) and later into a "speed metal
esoterrorica" four-piece who throttled American hardcore with their mix
of amped-up guitar hellfire and rough-hewn Jagger/Richards blues. Singer
and band constant Chris D. (Desjardins) was able to sprout new heads for
his band every couple of years while keeping a supremely intense, performance-as-catharsis
ethos very much alive, and always charting fertile new musical ground.
Live, Chris D. would shriek like he was conducting the last performance
before Satan?s bloody rapture, and as if he just might be taking the audience
down with him. The rock pundits of the day thus brought forth much enthusiasm,
enthusiasm now all but buried in the yellowing copies of local fanzines.
Most of the amazing Flesh Eaters LP?s remain sadly unissued in compact
disc form. Though I?m concentrate on the body of work produced by this
singular band between 1978 and 1983, a Chris D.-helmed band called The
Flesh Eaters continues with a revolving line-up to this very day (and hey,
they?re not half bad, either).
Before we begin, let?s get to know Mr.
Chris D. Here?s a man intimately involved with some of the germinal rock-n-roll
of the U.S. punk era. He was an early force behind
LA punk ?zine
and while documenting sounds the likes of which had never been heard by
humankind DID have its rewards, his unique vocal & lyrical gifts were
lying dormant, a crime soon rectified by the formation of the early Flesh
Eaters in late 1977. A word has come up in many descriptions of Desjardins?
voice, a word you rarely see elsewhere: YOWL. Yowl is what Chris D. did
with this magnificent voice -- not yell nor howl, no no no ? YOWL. For
the uninitiated, imagine Richard Hell at his inebriated best, say on "Love
Come in Spurts" or "Down at the Rock and Roll Club." Now drown that voice
in gallons of gasoline and let it thrash up to the surface screaming &
clawing. Ladies and gentlemen, yowling. At his best, Chris D. had
a voice of skin-crawling beauty and intensity. If he had been just a rote
screamer that?d be one thing, but Desjardins wrenched his words through
haunting whispers and banshee-like shrieks, very often in the exact same
syllable. Check out "Drag My Name in the Mud" from 1982?s Forever Came
Today for a yowling performance without parallel.
Desjardins also produced or remixed some
of early American indie/punk?s high-water marks: The Dream Syndicate?s
Days of Wine and Roses; The Germs? What We Do is Secret; The
Gun Club?s Fire of Love; Green On Red?s Gravity Talks and
The Misfits? Walk Among Us. Desjardins may have remixed the latter
but appeared to congregate with Glenn Danzig & co. like oil and water
? in an old issue of FLIPSIDE, the Misfits whine poetically about
their 1982 tour with the Flesh Eaters. Seems Danzig was dismayed on the
tour?s San Francisco stop when the Flesh Eaters actually wanted to see
the town before the show (dubbed "homoland" by the Misfits). The collective
brainpower of the Misfits, it seems, was quite happy to be left at a Bay
Area McDonald?s while the Flesh Eaters went off to explore. Subsequent
collaborations or tours were deemed unnecessary. ("Fiends" may also
be aware that later that very evening, Misfits guitarist Doyle hauled off
and clubbed the living daylights out of a teenager with his axe, splitting
the kid?s head wide open and making the band VERY unwelcome in homoland
thereafter).
Ruby Records was Desjardins? vanity imprint
at Slash, and was responsible for the Gun Club & Dream Syndicate masterpieces
listed above. Be advised, though, that Ruby wasn?t always Desjardins? label.
When a string of mediocre pop-punk records came out in the late 1980s on
the Ruby label, I had the opportunity to ask Chris at a Stone By Stone
show if they were his. "No, I don?t have anything to do with that HORSESHIT"
came the reply. So there you have it.
One curious trick in Desjardins? arsenal
is mixing his song titles with album titles and vice versa. Once can imagine
a list of titles and themes kept warm & at the
thus, the song "A Minute to Pray, A Second to Die" appears one LP after
the rele the title track from the A Hard Road To
Follow LP never makes the album yet shows up on a greatest-hits LP
the song "Divine Horseman" becomes the name of a post-Flesh
Eaters band four years later, and so on. I?ve got a long out-of-print book
of Chris D. lyrics, poetry & stories called Double Snake Bourbon.
The titles from said book gives a glimpse into Desjardins? recurring themes
of blood, recklessness, sex, the occult & religious guilt:
Johnny Blood, The Baptist
Hell?s Belle
Robitussin Sob Story
Underworld Rosary
Yellow Fever
Fistful of Vodka
Lake of Burning Fire
Pray Til You Sweat
Snake Handler
Devil?s River
Religion in particular plays a tormented
role in the man?s lyrics. Desjardins was either majorly spooked by churchtime
devil-talk as a kid, or brought some serious Catholic hang-ups to his art.
To be fair, more than half this imagery is mixed with an undying faith
in love and the union of man and woman ? the lighter side of religion,
if you will. Chris D. very often wrote of being carried away through slithering
demons and the hounds of hell by the love of his baby, or thereabouts.
It stands to reckon that this heart bursting with amor led to a
pattern of adding his current flame into the band, from Jill Jordan on
the A Hard Road To Follow-era ?83 Flesh Eaters, to Julie Christiansen
throughout the Divine Horsemen and Juanita Myers in today?s Flesh Eaters.
All of whom, it should be noted, have provided a terrific foil to Desjardins?
brooding and yowling.
The debut Flesh Eaters 45 was released
in 1978 on Desjardins? own Upsetter label, the name of which was a tribute
to Lee Perry & the tripped-out dub reggae popular with the early punks.
"Disintegration Nation" was a four-song EP recorded with the backing of
local three-piece The Flyboys, who issued an LP later that year to the
sound of roughly one hand clapping. The outstanding new wave fashions on
the inner sleeve may give a strong hint as to why. Nonetheless, this record,
with just a hint of the ferocity of the LPs to come, is full of jagged,
blazing glory, with a touch of rockabilly adulation and an up-front, slashing
guitar sound that laid down a subsequent trademark.
Desjardins then issued the killer Tooth
and Nail comp on Upsetter the next year, packed with classic LA punk
from The Controllers, Middle Class, Germs, UXA & of course three frothing
Flesh Eaters tracks: "The Word Goes Flesh", "Pony Dress" and the truly
wacked "Version Nation." This is a reworked "Disintegration Nation" with
Chris wound up in such vocal contortions it sounds as if he?s delivering
the punk rock gospel in Satan?s Spanish. Interesting, though ? these early
Flesh Eaters may have been subjected to too many lineup changes and limited
vinyl pressings to have the cranial impact of their peers, legends such
as the Weirdos, Germs, X, Bags, etc. Of all the bands that played at The
Elks Logs benefit for the legendary Masque club in February 1978, now captured
on the terrific 3-volume Live at the Masque CD series, the Flesh
Eaters are only one of a handful that have been intentionally left off.
Certainly I?ve never heard recordings of this early band playing for the
crowds, and there hasn?t been a groundswell of collector scumdom clamoring
for the tapes. The true genius and raw power of this band was still to
It wasn?t necessarily to be found on the
1980 debut LP No Questions Asked, but no one in their right mind
would call the record a wash. The album suffers a wee bit from muted production
and some discontinuity, which is not particularly surprising given that
eight musicians rotated through 14 short tracks. Among the band members
were X?s John Doe & Don Bonebrake, as well as Joe Ramirez from The
Eyes and Pat Garrett of The Randoms. Stan Ridgeway, later of Wall of Voodoo,
also played in an early version of the Flesh Eaters and is given a few
of the music-authorship credits here. The sound is sharp, static bursts
of punk heat, dressed up with Chris? phantasmagoric visions of plagues,
hemorrhages and rabid cops. The sound is best represented on tracks like
"Impossible Crime", "Dominoes" and "Police Gun Jitters" ? there?s even
a DUB track called "Cry Baby Killer". It?s worth noting that Desjardins?s
tales were repeatedly inspired by B-movies (the name of the band being
a prime example, not to mention "Cry Baby Killer"), with a ghoulishness
particularly heard in the lyrics of this LP. No Questions Asked
marked the end of the first wave of the Flesh Eaters, and gave birth to
the all-star roots/voodoo combo of 1981?s A Minute to Pray, A Second
Joining Desjardins in this next line-up
of the Flesh Eaters were Doe & Bonebrake from the by now nationally
recognized X, Dave Alvin and Bill Bateman from The Blasters (guitar and
drums respectively) and sax player Steve Berlin, a year or two shy of joining
Los Lobos. Though the "on loan" status of the musicians involved did not
bode well for anything more than a one-off project, what these gentlemen
created together was an unequalled masterpiece. A Minute to Pray, A
Second To Die is 35 minutes of the best raw, netherworld blues and
marimba & sax-led garage stomp you?ll ever hear. Think about what you
know of the best work of X and The Blasters of the time, add Chris D. at
the absolute top of his game, and some out-of-this-world arrangements that
harken to some unholy trinity of the Stones, Stooges and Seeds, and you?ve
got quite a goddamn record. What reputation the Flesh Eaters still have
left in the early ?80?s history books and Ameripunk cognoscenti is likely
due to this album. The band stand posed like paragons of ultimate cool
on the back cover (against a brick wall, no less), symbolizing for the
world the transformation of punk rock wildness into a more musical, complex
? and dare I say MATURE -- beast. It was 1981 in Los Angeles, and some
incredible rock music was beginning to crawl out of the woodwork: Dream
Syndicate, Minutemen, and Black Flag, to name a mere few.
The all-star band gigged for a couple of
months in LA with the likes of the Gun Club and The Fall, each show made
out to be an "event," given the rising popularity of X and The Blasters
and the strong critical reception accorded A Minute to Pray.A Target
Video of one of their few live performances exists (with the camera strictly
locked on Desjardins for 98% of the show), and this band can also be heard
on Side 1 of the posthumous Flesh Eaters Live LP. Homage is indirectly
paid to early surrealist filmmaker Maya Duren on the 7-minute-plus "Divine
Horseman," a tour-de-force that is arguably this band?s peak moment. Other
standouts include "Digging My Grave," "Pray Til You Sweat" and "See You
In The Boneyard," but really, there?s not a clunker in the bunch. Too good
to be anything but temporal, the band went their separate ways and Desjardins
went quickly to work on keeping the flame alive.
What followed was anything but a letdown.
Came Today followed hot on the heels of A Minute To Pray?, recorded
with a steady new line-up (with Berlin as a holdover) on St. Valentine?s
Day 1982. The new team was Don Kirk on guitar, Robyn Jameson playing bass
& Chris Wahl pounding the drums. Another band, another classic LP,
only this time with a caterwauling, hell-bent HEAVY rock unit. The screeching
"Shallow Water" and "Hand of Glory" are nasty and razor-sharp cries of
torment and pain, while the more tempered "My Life To Live" and "The Rosy
Hours" are elongated, lyrically twisted musings on life, love and death.
One of my big regrets is never seeing this band kick out the massive "Drag
My Name in the Mud" on the live stage. Miles away from roots rock, Forever
Came Today was deservedly well-received and was championed by a few
critics, if a bit unfairly shuttled into the punk ghetto. Now that Chris
D. had a true touring unit, the Flesh Eaters set forth to bring the noise
to the dank clubs of America. Paired with young hardcore bands as Punk
USA turned faster, louder & more violent, the band stepped up to the
plate and delivered a wallop of speed metal-tinged thud that scared the
baldies and the mohicans straight back to mama?s bosom. Louder than any
punk, this was the true "grunge", a few years before it was appropriated
to good and not-so-good ends up in Seattle. Forever Came Today must
be reissued
en masse at once and handed out with earplugs to a new
generation looking for lost idols and future inspiration.
The violent and hell-soaked sound continued
at times on 1983?s A Hard Road To Follow, but with a new soulfulness
and boozy undercurrent that swaggered rather than spit. All key band members
remained, a Flesh Eaters first, with Jill Jordan brought in for backing
vocals on a number of the tracks. Like its predecessor, this record has
its terror-soaked hardcore-ish screamers such as "Eyes Without A Face,"
but mid-tempo crunching and lurching is the normal speed, as on "Poison
Arrow," "Buried Treasure" and the fantastic "Fistful of Vodka." Let?s not
forget that all this guitar-led chaos was pumping with the blood of Desjardins?
lyrics, which bordered on the poetic and were deeply intelligent and clever
streams of wordplay. "We?ll Never Die" is romantic ne?er-do-well Desjardins,
daydreaming of shooting a pack of cops in the eyes because his girl told
him he wasn?t the one for her. Ah yes. A Hard Road To Follow was
released on Chris?s wholly owned Upsetter Records, not on the larger Ruby/Slash,
and was somewhat lost in the shuffle of burgeoning Americana rock, then
gaining a national foothold with R.E.M. and the like. Somehow "Eyes Without
a Face" wound up on the 1985 soundtrack for horror spoof The Return
of The Living Dead along with goth-punk from 45 Grave and the like,
but by then the Flesh Eaters had thrown in the towel. Six years, four incredible
albums and one classic single, and the band members knew it was time to
move on to other things.
So now you?re pumped and ready to rock
with the Flesh Eaters. Where do you find all this treasure? Start scouring
the used bins, because three of these four remain vinyl-only. In lieu of
the original LPs or the thankfully reissued CD of A Minute to Pray,
A Second To Die, there are two excellent Desjardins-compiled "greatest
hits" compilations on SST called
Greatest Hits: Destroyed By Fire
and Prehistoric Fits. Both cover the breath of the era we?ve been
discussing here, with tracks from all four albums, and are excellently
representative of the Flesh Eaters? majesty. Give a fair shake to Desjardins?
other musical work too ? the Divine Horsemen?s Time Stands Still
and Devil?s River LPs and the Stone By Stone I Pass For
Human record are particularly strong testaments to Desjardins? creativity
and ability to successfully evolve. Finally, renaissance man Chris D. has
spent most of the past decade researching and self-compiling a massive
encyclopedia of Japanese gangster (Yakuza) films. Aptly titled YAKUZA
EIGA: An Encyclopedia of Japanese Gangster Films , the book
is due out any day now, and is partially funded by The Japan Foundation
Artist Fellowship. Indeed, the man has left a hard road to follow, and
burned a shockingly bright legacy as the leader of one of the hallmark
bands of the punk and post-punk eras.
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Flesh&Eaters
姓名： Flesh&Eaters
别名： 暂无
by&&John&BushFlesh&Eaters&was&the&nominal&group&founded&by&post-punk&poet&Chris&D.&(Desjardins),&a&singer&renowned&for&his&poor&social&skills&(causing&a&revolving&lineup&which&featured&Stan&Ridgway,&John&Doe&and&Dave&Alvin,&among&a&host&of&others)&and&a&penchant&for&obsessively&morbid&lyrical&themes.&The&first&Flesh&Eaters&full-length,&No&Questions&Asked,&appeared&in&1980&on&Upsetter&Records.&Its&follow-up&A&Minute&to&Pray,&A&Second&to&Die&fleshed&out&Chris&D.s&rather&unique&vision&with&a&tight&band&including&Alvin,&Doe&and&another&X&mainstay,&DJ&Bonebrake.&Though&Desjardins&rarely&had&backers&as&sympathetic&and&talented&after&that,&he&continued&to&record&with&1982s&Forever&Came&Today&and&the&following&years&A&Hard&Road&to&Follow.By&the&mid-80s,&however,&Desjardins&had&grown&tired&of&recording&a&Flesh&Eaters&LP&every&year,&virtually&disbanding&the&already&ramshackle&group&and&founding&Divine&Horsemen&for&the&1984&LP&Time&Stands&Still.&The&change&of&direction,&to&a&more&dry&and&folksy&style&—&though&no&less&pointed&and&occasionally&disturbing&—&must&have&stimulated&him,&for&the&Horsemen&delivered&three&albums&for&SST&during&1986-87.&After&a&1988&EP,&Desjardins&moved&on&to&a&different&alias,&Stone&by&Stone,&for&another&SST&LP,&I&Pass&for&Human.In&the&meantime,&SST&had&released&two&Flesh&Eaters&compilations&and&one&live&LP,&and&by&the&turn&of&the&90s,&the&predictably&unpredictable&Desjardins&again&formed&a&group&around&the&Flesh&Eaters.&The&first&album&by&the&second&convening&of&the&band,&1991s&Dragstrip&Riot,&was&a&double-LP&with&an&astounding&variety&of&material&ranging&from&cowpunk&to&metal&to&gutbucket&blues.&The&following&year&brought&two&more&albums,&Crucified&Lovers&in&Woman&Hell&and&The&Sex&Diary&of&Mr.&Vampire.&The&new&millennium&however&saw&the&release&of&Ashes&of&Time&in&early&2001.&Desjardins&spent&some&of&his&post-millennial&time&making&a&film,&I&Pass&for&Human,&that&shared&a&title&with&an&earlier&album.&He&also&worked&on&new&Flesh&Eaters&material&in&conjunction&with&the&film&that&was&eventually&released&in&2004&under&the&title&Miss&Muerte.&
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Title: Flesh Eaters
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Release Date: 3 May, 2016
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About This Game
Flesh Eaters is retro style single player RTS zombie survival game with resource gathering and crafting.
Zombies are everywhere! You must gather resources to build barricades, upgrade weapons and armour and explore the city under the siege of the dead
★ Equip and upgrade different weapons and armour for your survivors.
★ Level up and upgrade your survivors stats
★ Gather resources to build barricades and defend your survivors against the horde.
★ Fight against different types of zombies
★ 3 different survivor classes to chose from, each class has 3 unique skills.
Solider - The soldier can equip weapons and armours.
Medic - The medic can heal other survivors and equip melee weapons.
Engineer - The engineer can build turrets, traps and equip melee weapons.
Flesh Eaters is being developed by 16bit Nights and published by Back To Basics Gaming.
System Requirements
Minimum:OS: Windows XP/Windows Vista/Windows 7/8Processor: 1.6 GHzGraphics: DirectX 9.0 CompatibleStorage: 20 MB available spaceSound Card: DirectX 9.0 Compatible Sound
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